AKO AKO

Wormans' Work | AKO AKO

This anchor stone has been in the heart of Māngere East since 2002. In Te Ao Māori ‘Ako’ embraces both teaching and learning, when repeated it emphasises the back and forth that happens. The teacher has just as much of an opportunity to learn from the experience as the student.

This was the case between the artist Dr. Richard Shortland Cooper and his student Terry Koloamatangi Klavenes who created the Ako Ako stone sculpture.

With the fantastic passing of the Te Kāhui o Matariki Public Holiday Act 2022, locals looked for ways of celebrating the first ever dedicated public holiday that recognises Te Ao Māori.

After noticing that the angle of the hole in the stone could point to where Matariki appears in the sky … if only the stone was placed in a slightly different position.

Wormans' Work | AKO AKO

Getting the go ahead from the artist and much else the community did what they do best on got on with it. Its new rotation means as you look up through the stone is signals where Matariki will appear.

Wormans' Work | AKO AKO
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As an Englishman, an immigrant to Aotearoa, I become more aware each day that the scars of colonialism have yet to be healed and new wounds appear. It is so generous that the theme for 2026 is “Matariki Herenga Waka – For Everyone” – a chance for all of us to gather, to learn and acknowledged the Matariki traditions that evolved so many generations ago.

Around Matariki I spend time learning and reflecting on what it means. This is the second year of me creating art to hide in my community as part of the process.

Luna, solar and astronomical events have been recorded by observers from earth for a long time. Stonehenge in the UK being an example. So it made sense to focus on the Ako Ako stone for my Matariki art this year. I used the lino block to create a second series of Ako Ako for this week’s Lucky Dip Art.

New Creations, Market Dates & Workshops

Fingers crossed the weather holds so we can all enjoy going to the Central Flea Market on Sunday!

What’s new on the stall?

🧵Emily has figured out how to transform circle tablecloths into adjustable waisted skirts.

Wormans' Work | New Creations, Market Dates & Workshops

🖌️For only $3 you can get your hands on a unique bit of ‘Lucky Dip Art’. This weeks’ collection is the result of Alan experimenting with space and colour.

🖌️Lucky Dip Art often sells out. Did you managed to get one of the DC:3 series?

Wormans' Work | New Creations, Market Dates & Workshops

🚣 A few markets ago Alan’s ‘The Life I Please‘ ensemble was purchased by the perfect person who planned to gift it to his brother who loves boats and poetry.

Inspired, Emily has created this cute collection of miniature books and hopes that someone who loves the ‘Seven Sisters’ series finds it irresistible.

Wormans' Work | Love miniature things?

The star cluster on the lids was achieved by the skills picked up during Alan’s Gelli Printing Workshops.

Speaking of Workshops …

We have four gelli printing workshops coming up! Book your spot before the 21st June 2026 and receive a 25% discount! Just use WORMANSWORK25% discount code when buying tickets.

See you on Sunday!

Lucky Dip Art- Space and Colour.

Wormans' Work | Lucky Dip Art- Space and Colour.

The Lucky Dip Art frame on our stall pulls people in and causes curiosity and excitement.

This run of Lucky Dip Art is an exploration of space and colour and it is also me experimenting with ways of producing art in a productive manner. These prints started of as four A5 sheets. First, I printed the background colours, then drew a grid and laid the clear Gelli printing plate over the grid. That acted as a guide as I added some darker tones. This was interesting as now and then something would overlap with the piece next to it.

Then the scary but fun bit. I cut each A5 down to four pieces of A7. What I was hoping for was to end up with 16 interesting compositions. I was very happy with the result. In A5 size they did work as one large composition, but once cut down everything became more concise and impactful.

I decided to highlight areas of the composition with circles, ovals and other things. I drew onto the Gelli plate first and let it dry, covered the Gelli with clear medium and placed the A7 backgrounds on top and let dry.

Lifting them meant transferring the acrylic painted circles from the Gelli on to the prepared background. Doing it this way (compared to just drawing direct on the backgrounds) resulted in something stronger, cleaner and more defined.

These will be part of ‘Lucky Dip Art’ this Sunday. If you buy one (they’re only $3), thank you in advance! In a way, you’ve almost crowdfunded this little experiment. The only difference is that I made it first and then asked for your support!

Lucky Dip Art-Come fly with DC:3

Wormans' Work | Lucky Dip Art-Come fly with DC:3

This stamp of a Douglas DC:3 is a great op shop find.

The DC:3 first reached to the skies in 1935 and by 1939 90% of all airline flights were DC:3. The all metal frame clad with aluminium resulted in a roomier, lighter, faster and more economical plane. To the point where US Commercial Airlines weren’t reliable on government mail subsidies. The first New Zealand airlines used DC:3s too. The last one was made in 1946, however look up you might still see one flying about.

Wormans' Work | Lucky Dip Art-Come fly with DC:3

This set of collages are a celebration of our development and understanding of the earth and recording and communicating it with maps and charts. I had great fun sourcing fun diagrams showing air mass and weather front to awesome maps one of which was of Treasure Island. OK grab your tin foil hats, there even a Dc:3 flying around the solar system.

Lucky Dip Art is a way of me being able to run a idea out as well as creating low cost original art. Normally I produce either prints or multi-media pieces which you just put on the wall or in a frame and look at.

This set has become more of a object which you touch and feel and interact with. Two of them even have pointing sticks to plot your path or point to parts of the plane with. They really started to have the feel and look of items of travel from the so called ‘glory days’, where every ticket, visa and passport was printed and let us not forget the old immigration stamps.

Wormans' Work | Lucky Dip Art-Come fly with DC:3

I’ve called Aotearoa my home since 2010.

Love miniature things?

Do you keep a list of all the books you read/listen to? Well, I went through a phase a few years ago in which I made miniature books to keep a record instead.

I listened to the whole ‘Seven Sisters’ series by Lucinda Riley as I’m a sucker for a bit of bubble gum ‘historical’ fiction. Pleiades also holds my imagination as cultures all over the word have stories that connect them with this star cluster – including here in Aotearoa – Matariki.

At the library recently I was gifted some little jars…

Wormans' Work | Love miniature things?

Of course, I then thought I had created a ‘thing’ – books in jars – but the internet soon told me otherwise.

Helping Alan out during our last four gelli printing workshops inspired me to do some printing of my own!

Wormans' Work | Love miniature things?

Now the series sits under it’s own star cluster and I’m chuffed about how cute it is!

Lucky Dip Art: Cactus Towers

Wormans' Work | Lucky Dip Art: Cactus Towers
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This set of prints came about thanks to a conversation with a friend. They had just been to a set of talks looking at how we could not only build better cities but also build communities that not only have less impact on the environment but are beneficial to the environment.

Is it a cactus or a tower block reaching into the sky? I’m not sure. My mind played with the idea of a green building growing. The background plays between the smoggy yet majestic sunsets of Delhi and the harsh blocky grime of UK house estates.

The process of creating these was a lot of fun. The first few layers of the background were done live at Central Flea whilst demoing Gelli printing. I used a range of what I call ‘sunset colour’. Each colour had its defined area. Looking at them the next day everything was a bit vibrant and needed to be brought together. So I played with adding a very light pale brown unevenly over the top. This seemed to bring down the vibrance and pull everything together. The Cactus Tower was a printing block made from Lego Dots. 

Wormans' Work | Lucky Dip Art: Cactus Towers
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Gelli Printing Workshop Highlights

A look at some favourite moments from our recent gelli printing workshops in Auckland — from first layers to finished prints. If you’re curious about joining a future gelli printing workshop or creative printmaking session, there’s more coming up soon. Find out more and book your spot.

Getting Gelli With It!

Wormans' Work | Getting Gelli With It!

What made me want to start delivering Gelli printing workshops?

Seeing a visitor to the bench choose two colours, rolling them out on a strange rubber mat type thing, covering that with a piece of paper and applying pressure. At this point I watched their face as they peeled the paper off their first ever mono gelli print. They looked a bit unsure of why and what just happened. Looking closer they found wonder in the thing they had created with their own hands. They jump at the chance to do it again! 

Wormans' Work | Getting Gelli With It!

Every now and then I chucked in a guiding thought or a new technique. Oh no, I thought, I’m in trouble now, what if they start saying ‘what if’? Well try it! Before I know it I’m cleaning rollers for them, finding more stuff for them to print on, and they are flying! 

The process has gone from mystery to wonder.

From hesitant and “I’m not creative” to brave experimental artist. 

I’ve gone from teacher to artist assistant. 

It’s so great to see people engage with the process which I’ve become fascinated with since I was introduced to it. It’s this experience that made me want to bring it to the masses as well as another reason I’ll share at the end.

Wormans' Work | Getting Gelli With It!

What is a gelli print you ask? Breaking it down. Printing is the process of putting ink on a surface then transferring to a material, like paper. Think of potato prints. Mono printing typically is where you take a smooth flat material, like stone or glass, and apply ink to it. Lay paper on that to transfer the ink. As you add layers of ink you build up texture, creating beautiful one offs. Gelli plates take their name from a traditional printing process where plates were made from gelatin. The Gelli plates today are longer lasting and made from mineral oil. They give a very clean ink transfer and really open up some amazing techniques

Coming along to my workshop? What will you learn? You’ll explore simple Gelli printing techniques and think about how colour, texture, and composition can create some unique prints. You’ll create in a spontaneous and playful way and see what happens. You never know, I might have a few surprises as we go! My hope is that you’ll enjoy it so much it’ll become part of your regular art practice. 

Wormans' Work | Getting Gelli With It!

Find out when the next workshop is.

The structure of the workshop is loose and based on what I do when trying out a new material, a new technique or I’m just creatively stuck and want to just get making.

Preparing for these workshops has been fun. Getting so much paint and equipment together is very pleasing. This process can print on fine tissue paper to thick card. The texture of the paper can really add to the effect. The acrylic paint we’ll use has strong pigments so it shows on coloured paper. All the paper we use has been reclaimed from paper bags, calendars, home deliveries, wallpaper sample books and a few other places. 

I’m also feeding my love of Zine making to produce a workshop zine! Every participant will get one. Here’s a sneak preview …

Wormans' Work | Getting Gelli With It!

Another reason why I’m excited about facilitating these workshops? Everytime I introduce a friend to gelli printing they end up taking it in a different direction to me. Which prompts me to see other possibilities. I’m now the student and they are the teacher! #winwin

Want to chat about the workshop? Catch up with me at our next stall at Central Flea.

Clearing space, trying new things

I’ve finally been getting stuck into the big stack of vintage tablecloths we picked up during last year’s Big Term One Tour — and it’s been very satisfying to see them slowly turn into wearable things.

Weather permitting, we’ll be back at Central Flea this Sunday, 8 February 2026 — and it’ll be our last market until late March / April (TBC). So if you’ve been meaning to pop by, this is your moment ✨

Clearing the sewing room

I’ve got a stack of ponchos coming with me this Sunday, and they’ll only be $50 each. Storage is tight, and I’m craving a bit of creative breathing space — so this is very much a clear-the-shelves situation.

They’re all made from reclaimed textiles, each one a little different, and this will likely be the last time you see this batch together.

There is one new poncho that I’m still a bit emotionally attached to. It’s giving strong Battenberg cake vibes — soft colours, a bit playful, very cute. That one is $60, mostly because I need convincing to part with it 😅

Hats

I’ve also been turning towel off-cuts into hats — practical, fun, and a satisfying way to use up smaller pieces that would otherwise be waste.

Wormans' Work | Clearing space, trying new things

Big Ted takes his modelling duties very seriously but they may even look better on you.

Visible Mending

Tablecloths work hard which means by the time I get them, they’re not always perfect — but that doesn’t mean they’re done. There are ways to work with marks, wear, and the odd tear so the fabric can keep being used.

One of my new makes needed a little extra thought…

Wormans' Work | Clearing space, trying new things

Off-cuts became a lace flower detail, finished with the perfect button Alan found in the big box of buttons gifted by our lovely neighbour, Hei.

One of my new makes needed a little extra thought. Off-cuts became a lace flower detail, finished with the perfect button Alan found in the big box of buttons gifted by our lovely neighbour, Hei. No one sees the tear now… right?

This was also my first time sewing French seams, and honestly, it wasn’t nearly as hard as I’d built it up to be (thanks YouTube for the skill and the rabbit hole I found myself in – love this guy).

Wormans' Work | Clearing space, trying new things

There’s also a blue top, made from another generously sized tablecloth. Nice fit for ladies built like me!

Circle tablecloth skirt (and a possible keeper)

Wormans' Work | Clearing space, trying new things

This is my second skirt made from a circle tablecloth, and yes — the elastic was salvaged too. I think it’s pretty cute.

It didn’t sell the last time I took it to the market, and honestly, if it doesn’t sell this time, I think I’ll keep it. The skirt fits a range of sizes, thanks to the elastic waist and belt loop holes, so it’s comfy and flexible.

Nearly Forgot, More Bunting!

If you can’t make it to the market but see something here that you love, get in touch — I’m always happy to chat about what’s available 💛

Fingers crossed for kind weather on Sunday.

— Emily

Lucky Dip Art : Cross Colours (an experimental process)

Lucky Dip Art let’s me tell a story or communicate an emotion. To achieve this I use various techniques.

You can get your hands on this series of Lucky Dip Art at Central Flea on Sunday 11th January 2026.

For this week’s Lucky Dip Art I used the mono printing technique using a Gelli plate. After applying ink to a Gelli plate, you pop a piece of paper on top and add pressure then lift off the paper. The paper will remove all the ink that was on the Gelli plate.

In this series, I removed some ink from the Gelli using a plate (made from an old pizza box) just before placing the paper on top.

I deliberately made the corrugation run in different direction. This created texture in a cross hatch manner. As I used the plates they became bogged with ink and behaved more like a stamp rather then simply just lifting the ink away.

As the ink was water based – the carboard softened a bit. I sorted that out with a blast from my shed hair dryer.

As the layers of ink built up on the card, the prints came out differently.

I feel that the end results are visually beautiful and I hope bring joy to the viewer and future owners of these small bits of art.

Curious about mono printing? Find out more about our workshops, we’d love to have you join us.

A Trifle of a Good Year

As the holiday season settles into memory — tucked away in journals, photo rolls, and moments like this incredible trifle that cousin Kate made for Christmas — we’re gently easing back into rhythm here at Wormans’ Work.

Emerging from our festive food comas and Christmas movie binges (we totally recommend the very cheesy Last Christmas, by the way), Emily and I have been taking stock and thinking about what comes next. Our main source of income, Science in a Van, doesn’t really kick off again until February, which gives us a bit of breathing room to make more things, explore new ideas, and spend some more time at markets.

We’re back at Central Flea on 11 January!

Lately, I’ve been having a lot of fun with the MACHINE, MACHINE, MACHINE, MACHINE print series. I’m keen to keep exploring the wonderfully top-hatted minds of the 18th and 19th centuries. A series I made for Lucky Dip Art: All That Glitters Is Sheffield has sparked ideas I’d love to develop further into a set of larger prints.

Looking ahead to 2026, I’m hoping to create more small, thoughtful collections like The Life I Please.

Wormans' Work | We Make Stuff – Buy Online

If markets are your thing but you can’t make it along, you can now buy selected items directly from our website (including that one-off art piece).

And if you know of any other markets or events where a we-make-things vibe might fit, please tell us about them.

What are your plans for 2026?

From Reclaimed Towels to Upcycled Ponchos (…and More!)

Around four years ago, I made myself a poncho from op shop towels. It’s been all over the motu with me as it’s comfy and big enough to get changed underneath!

Ages ago I wore it to Ladies’ Night at the Papatoetoe pools and was asked, “Where did you buy that?”. When I explained that it was handmade by me, that moment sparked custom orders, and suddenly reclaimed towel ponchos became a “thing”!

And now I’m known as the ‘Towel Lady’ at Central Flea…

They’re soft, warm, absorbent and every one is completely different. Each poncho starts with reclaimed towels and nearly every scrap gets used. The bigger leftovers become hats, the smaller ones turn into cleaning cloths and then, if there’s room in our worm farm, some of the scraps get given to Wiremu, Wendy, Wendolyn and their whānau! 🪱 This definitely helps with my landfill anxiety.

Want your own poncho, hat or cleaning cloth burrito? Find out when our next market is or see what you can buy online.

We also do commissions! Get in touch, give us your favourite towels and I can turn them into a poncho or hat. Each piece is handmade, comfy, colourful, and full of character — we love giving old towels a new life!

Lucky Dip Art And Beyond

Lucky dip art is a way of experimenting with art, putting out there and seeing how people react to it. For me its about a low stakes way to just create and experiment but also be able to give people the chance to experience and own art.

I’ve also created a series of print/collages called “Machine, Machine, Machine“. This work celebrates the wonderful ideas/inventions from the top hatted brains of the 18th-19th century. This body of work is named after a song “Man Machine” by Kraftwerk.

Wormans' Work | Lucky Dip Art And Beyond

I love collections of things and I’m planning to make a few objects that are intended to take you on a journey and provoke emotion as you interact with them. The tin pictured above represents the thoughts of someone on the canals and river free, where no hasty words are spoken.

Wormans' Work | Lucky Dip Art And Beyond

I’ll keep exploring these themes and letting the ideas grow as I go. I’m really excited to put them out there and see how you engage with them.

Curious about mono printing? Find out more about our workshops, we’d love to have you join us.

Lucky Dip Art- All That Glitters is Sheffield

Wormans' Work | Lucky Dip Art- All That Glitters is Sheffield

For this Lucky dip Art series I’ve been inspired by these Moore and Wright internal spring joint caliper. I love the metallic silver of the worn high points contrasting against the flat iron black of the nooks and appearing blueish at times. This and the sooty grim of the Industrial Sheffield has been the latest exploration at the bench and resulted in this lucky dip Art series.

Crucible steel is a process of making high carbon steel. The process was common across India and Sri Lanka. In 1740s Benjamin Huntsman started to produce steel with the acces to good iron ore and coal as well as great transport links, Sheffield in England was a great spot. Huntsman’s development and the high quality manufactory of steel items like cutlery, put Sheffield on the map. Sheffield still produces high quality steel today.

Get your own little work of art at our next market!

Curious about mono printing? Find out more about our workshops, we’d love to have you join us.

The life I please

A memory or a thought is not just one isolated thing. It is a collection, some of which are pivotal others are just decorative. Yet it take all parts to make a whole.

Wormans' Work | The life I please

‘Boatman‘ by The Levellers is a song that talks about living a life different from the prescribed norms of society.

In this tin I try to represent the mind of someone on the canals and river free, where no hasty words are spoken.

This unique item is now for sale in our online market stall!

Lucky Dip Art- The Face Behind The Emotion

For just a couple of gold coins you can choose one of the envelopes containing a original artwork created by Alan Worman.

Wormans' Work | Lucky Dip Art- The Face Behind The Emotion

In this series The Face Behind The Emotion. I explore the phenomena I witnessing some times whilst performing as part of Science in a Van and doing magic. Sometimes people watch with no expression or any sign of them reacting to my performance at all. Then at the end they come up and tell me how much they enjoyed it, how funny they found it! What really rocks me is the emotional response they have. It is really quite a honour and shows that you never really know the effect you are having on people.

Get your own little work of art at our next market!

Curious about mono printing? Find out more about our workshops, we’d love to have you join us.

Machine, Machine, Machine, Machine.

I’ve always loved mechanical machines. I find the images of the wonderful ideas / inventions from the top hatted brains of the 18th-19th century amusing and I feel they are a real celebration of our species relationship with machine. The name of this body of work comes from a song ‘Man Machine’ by Kraftwerk.

Wormans' Work | Machine, Machine, Machine, Machine.

The colors and texture used in this series are from my observations of the relics I grew up with from the industrial revolution in London and across the UK. Dark grimy browns of old bricks or the vibrant orange of clean brick. The texture created by worn layers of paint and rust, soot and oil grim. These are the voices the relics use to tell their story.

Wormans' Work | Machine, Machine, Machine, Machine.

I’ve always loved the bicycle. Everything from riding one, fixing them and I really feel that the true impact of them is over looked in our history. The tall bike was used to light lamps on lampposts.

Wormans' Work | Machine, Machine, Machine, Machine.

A few prints are still up for grabs — get yours at our next market!

Curious about mono printing? Find out more about our workshops, we’d love to have you join us.

Lucky Dip Art – Route, Destination.

This is a sneak peek at this week’s lucky dip art! Find us at Central Flea Market on the 30th November 2025 to nab one for yourself.

For a couple of gold coins you can choose one of the envelopes containing a original artwork created by Alan Worman

“Its not the destination, its the journey”, Ralph Waldo Emerson

These series of collages are a further exploration of a theme that came from an idea from my daily journal whilst on a road trip.

Get your own little work of art at our next market!

Lucky Dip Art- Brush with Motion

Wormans' Work | Lucky Dip Art- Brush with Motion

For only a few gold coins you can choose one of the envelopes containing a original artwork created by Alan Worman.

Wormans' Work | Lucky Dip Art- Brush with Motion

If you buy a piece on the 23rd November 2025 it will be from the “Brush With Motion” series. I enjoyed playing with the recording brush strokes and I’m entertained that sometimes it is as much as about removing paint with the brush rather than applying it.

Get your own little work of art at our next market!

Curious about mono printing? Find out more about our workshops, we’d love to have you join us.